The Drawing Center has been a unique and dynamic part of New York City's cultural life since 1977. The only not-for-profit institution in the country to focus on the exhibition of drawings, it was established to demonstrate the significance and diver... more
The Drawing Center has been a unique and dynamic part of New York City's cultural life since 1977. The only not-for-profit institution in the country to focus on the exhibition of drawings, it was established to demonstrate the significance and diversity of drawings throughout history, to juxtapose work by master figures with work by emerging and under-recognized artists, and to stimulate public dialogue on issues of art and culture. Called "one of the city's most highly respected small art museums" by The New York Times, The Drawing Center has become the country's preeminent venue for important contemporary and historical drawing exhibitions, attracting more than 55,000 visitors annually from the local area, across the country, and around the world. The Drawing Center has presented more than 230 exhibitions, published over 70 catalogs, and toured its exhibitions to prestigious museums around the world, including: Tate Britain, London, and the Museum of Contemporary Art, Sydney, Australia (The Stage of Drawing); the Museum of Contemporary Art, Barcelona, Spain (The Prinzhorn Collection); and the Santa Monica Museum of Art (3 x Abstraction). The Drawing Center's acclaimed exhi... more
The Drawing Center has been a unique and dynamic part of New York City's cultural life since 1977. The only not-for-profit institution in the country to focus on the exhibition of drawings, it was established to demonstrate the significance and diversity of drawings throughout history, to juxtapose work by master figures with work by emerging and under-recognized artists, and to stimulate public dialogue on issues of art and culture.
Called "one of the city's most highly respected small art museums" by The New York Times, The Drawing Center has become the country's preeminent venue for important contemporary and historical drawing exhibitions, attracting more than 55,000 visitors annually from the local area, across the country, and around the world. The Drawing Center has presented more than 230 exhibitions, published over 70 catalogs, and toured its exhibitions to prestigious museums around the world, including: Tate Britain, London, and the Museum of Contemporary Art, Sydney, Australia (The Stage of Drawing); the Museum of Contemporary Art, Barcelona, Spain (The Prinzhorn Collection); and the Santa Monica Museum of Art (3 x Abstraction).
The Drawing Center's acclaimed exhibitions encompass a wide range of drawing traditions, such as Shaker Gift Drawings, Rajasthani Miniatures, Plains Indians Ledger Drawings, and Norval Morrisseau/Copper Thunderbird. Through a uniquely interdisciplinary approach, The Drawing Center's exhibitions have also related drawing to science (Ocean Flowers: Impressions from Nature), architecture (Constant, Inigo Jones, Louis Kahn), literature (Victor Hugo, Henri Michaux), theater (Picasso's Parade, Theater on Paper), film (Sergei Eisenstein), music (Musical Manuscripts), and choreography (Trisha Brown).
Historical Exhibitions focus on both acknowledged and under-recognized masters (such as Michelangelo, J.M.W. Turner, James Ensor, Marcel Duchamp, and Hilma af Klint) while Contemporary Exhibitions illuminate unexplored aspects of works by major living artists (such as Richard Serra, Louise Bourgeois, Ellsworth Kelly, Anna Maria Maiolino, Ellen Gallagher, and Richard Tuttle), and Selections Exhibitions present innovative work of emerging artists who are contributing to new interpretations of drawing. In the Drawing Room, which was opened across the street from the main gallery in 1997, emerging and under-recognized artists are encouraged to create experimental, cross-disciplinary work and site-specific installations.
Examples of artists whose work was first introduced to a wide public at The Drawing Center are: Terry Winters, Glenn Ligon, Janine Antoni, William Kentridge, Kara Walker, Shahzia Sikander, Margaret Kilgallen, and Julie Mehretu. The Drawing Center's Viewing Program has encouraged the development of thousands of emerging artists through one-on-one portfolio reviews with a curator, and through its curated public Artist Registry of over 2,500 emerging artists.
The Edward Hallam Tuck Publication Program provides new scholarship and critical context on contemporary and historical drawings through its scholarly catalogs for major exhibitions and its inventive Drawing Papers publication series, which accompanies each exhibition. A lively array of Public Programs — including gallery talks, panel discussions, and literary programs — engage audiences more deeply with the work on display. The Drawing Center's Michael Iovenko School Programs, offered free of charge, has served 75,000 local public school students through drawing activities and discussions inspired by the approaches of the exhibiting artists. In addition, the Internship Program has introduced hundreds of college students to the workings of a small and active museum.
Drawing Center is located in the SoHo neighborhood of Manhattan.
The historic SoHo neighborhood ("SOuth of Houston") is bounded by Houston Street to the north and Canal Street to the south. Originally known as the Cast Iron District due to the many buildings with such façades, SoHo's historic roots date to the mid-19th Century, when cast iron was discovered as an architectural material that was cheap, flexible, yet sturdy enough to use to build decorative building facades. Craftsmen transformed what had been rather bleak looking industrial buildings made of brick and mortar into structures of architectural splendor and grace. SoHo today still exhibits the greatest concentration of cast iron architecture in the world. SoHo's decorative facades, along with its ornate fire escapes, Corinthian columns, oversized windows, and beautiful lobbies, are the signature features of a neighborhood that first-time visitors often instantly fall in love with.
For the bulk of the 20th century, this neighborhood remained a relatively quiet and unassuming manufacturing district. The SoHo we know today emerged in the 1960's and 70's when artists discovered that the cheap factory spaces vacated by departing businesses could be converted into lofts and studios. The wide spaces and tall ceilings the factories had required were especially appealing to artists as they could create and store large pieces of artwork there. The New York Loft Board, charged with regulating and resolving issues regarding the legalization and use of certain loft buildings converted to residential use, assisted artists-in-residence in negotiating the complex legal issues.
After the SoHo Cast Iron Historic District became synonymous with the inflated art prices and lavish exhibits of the 1980s, more and more artists sought out other areas to work and reside, such as Long Island City, Williamsburg, and Chelsea. In turn, SoHo loft prices skyrocketed, and multimillion-dollar prices for full-floor lofts became rather common in the new millennium. Rents rapidly increased, and galleries moved north to the old garages of far-west Chelsea. In an ironic twist of fate, now galleries are leaving overpriced far-west Chelsea for the Lower East Side in the wake of the New Museum of Contemporary Art building its permanent home on the Bowery.
While western SoHo fortunately is largely protected from the current spate of building ugly large glass towers, Donald Trump's massive hotel on its westernmost fringes as well as forthcoming projects on the Bowery will permanently change the historic character of this fragile neighborhood. Architecture buffs will want to take our walking tour of the new architecture of Manhattan, which takes in a number of recent SoHo creations.
Now that SoHo has flourished and grown for over 35 years—ever since it gained credibility and status as a neighborhood when New York City officially recognized this up and coming district in 1973—visitors marvel not only at the architecture, but also at the vibrant cultural and commercial life on the neighborhood's historic streets. During the day, the sidewalks in this district are generally teeming with tourists, shoppers, and vendors selling t-shirts, jewelry, and original works of art. Shopping addicts know the area has some terrific vintage clothing stores that are true SoHo shopping experiences and bargains. Lower Broadway is home to everything from Bloomingdale’s to Calypso (whimsical, gorgeous clothing and furnishings) to Pearl River Mart (Asian housewares and gifts.) Many of SoHo's famous stores and boutiques are found on Prince and Spring streets, with Prada, Chanel, Kid Robot, and two relatively new additions, Jill Sander (at the corner of Crosby and Grove Streets), and an Apple Computer Store (in a former post office on Prince Street) all located in this vicinity.
In fact, there are so many cool boutique, vintage and consignment stores in SoHo to choose from. Add, a spacious accessories shop, caters to handbag connoisseurs who worship designer bags but would rather not drop thousands at a luxury boutique like Prada or Louis Vuitton. West Broadway, the Champs-Elysées of SoHo, also features an impressive list of boutiques across a broad spectrum of choices. Tag Heuer Boutique presents an impressive collection of Swiss luxury sports watches. Cleo & Patek, also on West Broadway, deserves mention for its fine accessories collection, and if men's fashion is what you're looking for you'll find high quality clothing at Ralph Lauren, Tommy Hilfiger, and Reiss of London here, or just around the corner and down Spring Street, you can check out the latest J. Lindeberg collections.
Great restaurants are literally everywhere you turn in SoHo, and they are well-known for both the fine cuisine they serve and their stylish milieus. The French bistro Balthazar, and the authentic Raoul's for Italian fare are both highly recommended. Along West Broadway you'll find celebrity hotspot, Cipriani Downtown, and the inviting, often open-windowed façade and lively atmosphere at Felix. For Japanese cuisine two blocks over on Sullivan Street you can dine at Blue Ribbon Sushi.
Beloved for its neighborly old world beauty and charm, and its nearly skyscraperless skyline, SoHo has also become a favored choice for luxury hotel dwellers, especially among those who wish to escape the hustle and bustle of midtown Manhattan. The Mercer Hotel is SoHo's foremost luxury boutique hotel and the first of its kind to offer an authentic taste of loft living. At the lower end of West Broadway near Canal Street sits the noble SoHo Grand, a popular overnight choice for visiting celebrity clientele, and on the western side of SoHo lies SIXTY SOHo, a boutique hotel designed by famed interior designer, Thomas O'Brien.
Notable landmark architecture in the SoHo neighborhood, aside from the approximately 250 cast iron buildings (such as the E.V. Haughwout Building at 488 Broadway), include The Little Singer Building on Broadway, designed by Beaux-Arts trained New York architect Ernest Flagg in 1902; the six-story iron front building at 112 Prince Street designed in 1889 by Richard Berger; and lastly, New York's most peculiar subway map, an 87-foot long work of art consisting of concrete rods embedded in the sidewalk at 110 Greene Street which was created by Belgian artist, Francoise Schein, in 1986. You might also admire the five-story trompe l’oeil mural at 114 Prince Street, which is a longstanding two-dimensional cast iron façade—in paint.
If you want to stay in a historic neighborhood where great restaurants abound, where the stores are boutique chic, and hotels marvelously accommodating, SoHo is simply the place to be.
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