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thehipp
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Brooklyn, Park Slope
In NYC Since: 2007

Settling in. 

September 19, 2008

Modern Meatpacking


New York City is nothing if not used to change; residents, however, seem far more stalwart in resisting urban development. Case in point: the buildings at 497 Greenwich Street and 330 Spring Street in the Meatpacking District. Local tenants have railed against the projects since the very beginning, waving the flag of neighborhood aesthetics and preservation. The 497 building, which you can see below, is largely a gigantic glass box, with a slightly more artistic buckling-glass design on one small part of the facade, just before it cuts away to the brick building next to it. For an area so classically hip and modern, it's a strange thing to complain about, but it's hard to deny the aesthetic arguments locals make.

497 Greenwich Street (click to enlarge)

Pictures copyright 2008 NYC.com. All rights reserved.


The process of modernization is always piece-meal and uneven, and since there will always be new development and new designs to fight for space within the Manhattan atmosphere, it's probably pointless to resist. But the residents raise a good question: can modernization and development be done tastefully? In the case of 497 Greenwich Street, the answer is both yes and no. The wavy section of the building is distinctive and interesting, both eye-catching and jarring, and a subject for debate. Arguably, that alone validates its usefulness within the aesthetic of the neighborhood.

The proper part of the building, though--the expanse that reaches to Spring Street to the north end of the block--offers no such dialogue. It is, simply put, not compelling, both architecturally and in terms of the cohesion of the area's buildings. It simply sits upon its corner, all harsh angles of shining glass, only matching the neighborhood aesthetic in its reflection.

The Urban Glass House, though, seems intended to throw contrast around the area. Philip Johnson's original Glass House, the all-glass residence he built himself in the last year of the 1940s, was intended as a treatise on the beauty of simplistic design, and it is notable that there is a surprising amount to discuss about what is essentially glass walls and furniture and little more. The Urban Glass House, with its precise-looking stacks of glass-wall boxes not quite making it to a complete cube, also throws its neighbors into sharp relief. As you can see in the picture below, the more stately, classic buildings seem more extraordinary next to the clinical beauty of the UGH.

Urban Glass House - 330 Spring Street
(click to enlarge)

Pictures copyright 2008 NYC.com. All rights reserved.


Whether the developers and designers of these neighborhood-shaking structures are demons or agents of progress can never be truly sussed out. As with the majority of buildings in cities around the world, time and taste will tell, and residents of the Meatpacking District may, in twenty years, be fighting future developers from razing the Urban Glass House in favor of a newer design.

(For more about 497 Greenwich and the Urban Glass House, as well as many other examples of buildings in New York City, check out the New Architecture Of Manhattan walking tour or the Architecture Guide, both located in our Visitor Guide.


Tags:   497 greenwich, architecture, glass house, new york, urban glass house


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Posted on 9/19/2008 ( Permanent Link )
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September 18, 2008

Refuge Of Lies - The Lion Theatre



Refuge Of Lies, from the Chalmers Award-winning writer Ron Reed, is a stark tale of deception, redemption, and the inescapable past. Richard Mawe stars as Rudi Vanderwaal, a Nazi collaborator under an assumed name who's fled from Holland to Paraguay to Canada attempting to escape his past. Pursued throughout the play by a Jewish reporter from his home country, his character--and the story itself--shift seamlessly back and forth through more than fifty years of Rudi's life as he struggles towards absolution and judgment for his sins. Mawe's performance in the lead role is as dark and trouble as his award-winning turn in Death of Salesman, offset beautifully by Lorraine Serabian's portrayal of his conflicted wife. Refuge Of Lies treads a good many fine lines, both thematically and in terms of the production. While the time-shifting aspect of the story is well-done and never jarring, the sound design is a bit over-the-top, if not just too loud. Set-wise, the skewed lines of the single set loom ominous, nightmarishly, over the unfolding events of the past and present. The questions of justice versus vengeance, contrition versus redemption, and forgiveness versus punishment run through this story endlessly as God's law struggles with the laws of men for the fate of Rudi's soul.

Refuge Of Lies is playing at the Lion Theatre in Theatre Row until September 28th.


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Posted on 9/18/2008 ( Permanent Link )
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September 15, 2008

The British Were Already Here, And They Left Their Trash



Long after it was New Angoulême to the French, and just after being New Amsterdam to the Dutch, New York was rechristened and reborn under British rule as a port of even greater importance than it had been as a Dutch colony. During the days of British sovereignty--ever so slightly before we declared our independence from England--Columbia University was founded and freedom of the press assured. After falling to the British during the Revolutionary War, what we know now as New York City began its almost unchecked evolution into one of the most diverse and culturally significant cities in the world.

But in 2008, we're still finding trash the British left here.


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Posted on 9/15/2008 ( Permanent Link )
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September 11, 2008

The Ten Days Of Beer Week



This Friday, September 12th, marks the beginning of the first New York Craft Beer Week. The festival includes pub crawls all over the city--not including Queens, Bronx, or Staten Island; not that anyone ever includes Staten Island--a passport to take around on the crawls as well as a free beer class at the end of each crawl, tours of the Brooklyn Brewery, a beer & chocolate tasting, seven days of New York State craft beers at Dive Bar and Amsterdam 106, and three days of the Manhattan Cask Ale Festival at the Chelsea Brewing Company at the Chelsea Piers.


Tags:   beer week pub crawl drunk drink drank


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Posted on 9/11/2008 ( Permanent Link )
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