Editorial Review
Surrealist artists, writers, and poets placed persistent emphasis on the power of the imagination to transform the everyday. Beginning in the early 1930s, the production of elliptically erotic, sexually charged objects and sculptures became central to their concerns. This exhibition features some of the most notorious works, including Salvador DalĂ's bread-and-inkwell-crowned Retrospective Bust of a Woman (1933) and Meret Oppenheim's fur-lined teacup (1936).